Soli for Solstice!

solstice 2

We started a new session today. 2 new things happened. First, I could not get my part. I don’t prefer to play any of the 3 drums in dunun. I’m not very good at it and I’d rather do djembe, but, struggle though I may, I always eventually get it. Not today. We ended the segment before I ever found my “on” switch, you know? That’s a little frustrating. It’s very frustrating, actually, because the rhythm wasn’t that hard! It was simple, conceptually, but I just couldn’t put the 2 hands together. Yet. I will. So, there’s that. No biggie.

Next, oh man! I rolled for the first time today. Ha! Quinn taught us an arrangement with rolls. That was intimidating! I got it, but not consistently. It’s very exciting to imagine how far he’s gonna push me this time. Wow!

No longer do we brush-up on mechanics and technique. We warm up with a rhythm we already know, and jump straight into something unfamiliar. Quinn called today’s accompaniment “the building blocks of solo work.” What?! No way! I don’t see myself ever tearing it up freestyle with a steady chorus backing me up – except in musical theatre, hehe. Maybe I should. Maybe I should start to imagine myself as a bad-ass drummer.

What an awesome class. It pays me back again and again and again. I love djembe!

Speaking of theatre, today this quiet girl teased me (a great drummer with killer rhythm). It doesn’t take long for me to let loose, and I’m used to these people now. I have no idea what I said, but she laughed and laughed. “That was so dramatic!”

Oh. That.

I know I’m theatrical, but every once in awhile it surprises even me how over-the-top I must be. I don’t think I’m that animated, verbose, outrageous, but… people do. šŸ™‚

I love these people. I love djembe!
_____

Soli is Malinke, from Guinea, played for male initiation.
solstice

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